Exhibitions currently running:

Decode: Digital Design Sensations - Digitally growing plants and a mechanical eye that mirrors the blink of a visitor's gaze will be among the digital works that will feature in Decode: Digital Design Sensations. The exhibition will show the latest developments in digital and interactive design, from small screen based graphics to large-scale installations. Until 11 April.

The Half by Simon Annand - This display will showcase the work of Simon Annand, photographer of leading actors in the West End for the last 20 years. It provides a rare glimpse into the dressing rooms of actors in the precious, private few moments before the show: The Half. This half an hour before curtain up is used for focus and concentration and is strictly private.  All members of the public are required to leave. Whatever has gone on during the day, the actor must use this time to make a transition into the fictional character of the play.  There is no escape. These photographs pay tribute to the dedication of stage actors and reveal not only technical skills but also aspects of a very personal nightly ritual. Until 11 April.

An 18th Century Enigma: Paul de Lamerie and the Maynard Master - This display reveals the brilliant craftsmanship of Paul de Lamerie (1688-1751), the greatest silversmith working in England in the 18th century, and his craftsman, known as the Maynard Master. The V&A's outstanding collection of silver is showcased alongside masterpieces from the collection of Sir Arthur Gilbert, including a lavishly decorated salver, a lion mask (one of the signature elements of the Maynard Master), and the Maynard Dish, the piece that marked the first appearance of the artistic personality responsible for de Lamerie's most ambitious commissions. Until 9 May.

Quilts 1700-2010 - The V&A will present its first ever exhibition of British quilts, with examples dating from 1700 to the present day - a unique opportunity to view the V&A's unseen quilt collection as well as key national loans. Earliest examples include a sumptuous silk and velvet bedcover, with an oral narrative that links it to King Charles II's visit to an Exeter manor house in the late 17th century. Recent examples will include works by leading artists such as Grayson Perry and Tracey Emin and commissions for the exhibition by a number of contemporary artists including Sue Stockwell and Caren Garfen. From 20 March until 4 July.

Permanent exhibitions at V&A:

The William and Judith Bollinger Jewellery Gallery - Opens 24 May 2008. The new gallery, designed by Eva Jiricna, will transform the presentation of the V&As jewellery collection, one of the most celebrated and comprehensive in the world. Over 3500 jewels will tell the story of jewellery from 2000 BC to the present. On display will be jewels from the courts of Elizabeth I, Catherine the Great and Napoleon, including the famous Beauharnais Emeralds. Jewels by the great houses of Boucheron, Chaumet and Cartier, including Lady Mountbatten's tutti frutti bandeau will be on show. Artist jewellers from Lalique and C.R. Ashbee to Wendy Ramshaw and Peter Chang will reflect the 20th century and the present day.

European Silver - This event is marking the completion of the museum`s redisplay of its silver galleries, the largest public collection of silver in the UK. It contains more than 500 silver and gold objects from medieval times to the Napoleonic era.

British Galleries 1500 - 1900 - Re-opened galleries are arranged chronologically to trace the history of British design from the reign of Henry VIII to Queen Victoria.

Jameel Gallery of Islamic Art - After a three-year-long renovation and redesign, and with the generous financial help of the Jamel family, the V&A will open the new Jameel Gallery of Islamic Art this month. It will be an outstanding new home for over 400 objects, including ceramics, textiles, carpets, metalwork, glass and woodwork, dating from the great days of the Islamic caliphate of the 8th and 9th centuries to the years preceding the First World War. The area covered stretches from Spain in the west to Uzbekistan and Afghanistan in the east, taking in important centres of artistic production in the Arab lands, Turkey and Iran. The Gallery's highlight will be the Ardabil carpet, the world's oldest dated carpet, and one of the largest, most beautiful and historically important in the world. Other highlights include an exquisite rock crystal ewer from 11th century Egypt, an ivory casket made in 11th century Spain, and the sword of Shah Tahmasp.

Sculpture Galleries at the V&A The V&A's outstanding sculpture collection will be redisplayed this spring in the new Dorothy and Michael Hintze Galleries. Opening directly onto the new John Madejski garden, the light-filled galleries will display some of the Museum's finest sculpture dating from 1600 to 1900 made by British sculptors or acquired by British patrons. The galleries have been named in honour of Dorothy and Michael Hintze who gave a generous donation of £1.5 million through the Hintze Family Charitable Foundation. The galleries include a sequence of magnificent sculptures such as Bernini's fountain of Neptune, Canova's Theseus and the Minotaur, and works by Giambologna, Roubiliac, Delvaux and Rysbrack, all of which were once in the collections of wealthy British patrons. Among the great British sculptors represented will be Nollekens, Flaxman, Banks, Alfred Stevens and Alfred Gilbert. The galleries tell the story of different phases and types of sculpture. The V&A's collection of Italian garden and fountain statuary is unrivalled outside Florence and Rome. The central section of the gallery, adjacent to the John Madejski garden, will appropriately be given over to this genre. It will show works such as Bernini's Neptune, once owned by Sir Joshua Reynolds, and Giambologna's dynamic Samson Slaying a Philistine (c.1562).

Victoria & Albert Museum history:

The V&A began life in 1852, under the directorship of Henry Cole, as the Museum of Manufactures, a gathering objects from the Great Exhibition and a motley collection of plaster casts - it being Albert`s intention to rekindle Britain`s industrial dominance by inspiring factory workers, students and craftspeople with examples of excellence in applied art and design. This idea disappeared fast. Queen Victoria laid the foundation stone of the present building in 1899, ten years later Astone Webb`s imposing main entrance, with its octagonal cupola and flying buttresses and pinnacles, was finished.

For more information please visit www.vam.ac.uk