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- Miracles & Charmes - Wellcome Collection's autumn exhibition programme explores the extraordinary in the everyday with two shows: Infinitas Gracias: Mexican miracle paintings, the first major display of Mexican votive paintings outside Mexico; and Felicity Powell: Charmed Life, an exhibition of unseen London amulets from Henry Wellcome's collection, selected and arranged by the artist Felicity Powell. Drawing lines between faith, mortality and healing, Miracles &Charms offers a poignant insight into the tribulations of daily life and human responses to chance and suffering. Until 26 February. www.wellcomecollection.org
- Terence Conran - The Way We Live Now - The Design Museum marks Sir Terence Conran’s 80th birthday with a major exhibition that explores his unique impact on contemporary life in Britain. Through his own design work, and also through his entrepreneurial flair, Conran has transformed the British way of life. As well as this, his design studio and architectural practice have a world wide reach. The Way We Live Now explores Conran’s impact and legacy, whilst also showing his design approach and inspirations. The exhibition traces his career from post-war austerity through to the new sensibility of the Festival of Britain in the 1950s, the birth of the Independent Group and the Pop Culture of the 1960s, to the design boom of the 1980s and on to the present day. Until 4 March. www.designmuseum.org
- Royal Society of British Artists Annual exhibition - Exhibiting the best of contemporary representational painting, sculpture, printmaking and drawing, sourced from member artists and open submission. This year’s show will once again feature a selection of the most outstanding work by A-level students from around the country. From 29 February until 10 March. www.mallgalleries.org.uk
- SHANE WALTENER: Drawn to motion, written in space, stitched in time - In January 2012, artist Shane Waltener presents an exhibition of new works specially designed for Siobhan Davies Studios exploring the relationship between textiles and dance, making and performance, objects and their recordings. Using stitching patterns, dance notation and the building itself as inspiration, he has used this opportunity to research and develop new work with dancers and members of the public. With Stairwell Suite, Waltener uses the stairwell as a loom, and its distinctive vertical metal framework to weave on. Waltener has collaborated with dance artist Laura Glaser to interpret stitching patterns into a set of movements. Acting as needles, or human bobbins, each dancer holding a length of yarn will create a spiraling web-like structure during the opening of the exhibition (on 12 January) while travelling up and down the staircase. Midway through the course of the exhibition, the piece will be remade in a performance taking place on February 17. Stitching Score #1, consists of a 200+ metre long strip of fabric made from deconstructed items of clothing. The making of the strip was staged as an interactive project last year involving six people operating overlocking machines that cut and stitched the clothing together simultaneously. Arranged in a daisy chain formation, a silent conversation was had between the stitchers as fabric was fed from one machine to the next. The installation invites the viewer to read the strip of fabric as a piece of notation, with its own unique grammar and symbols made up of stitch, thread and cloth. A series of woven pictures, Ready Steady Stitch (bobbin lace), will also be included in the exhibition that combine architectural plans, stitching patterns and dance notation into templates for making bobbin lace. These works play with the idea of appropriation as different coded visual data are reinterpreted through collage and stitch. The series will include a limited edition piece using material worked with to create Stairwell Suite. Until 11 March. www.siobhandavies.com - Raphael Hefti - For the past ten years he has been interfering with material processes, manipulating and transforming substances to create surprising images and objects. Coming from a technical background with a keen interest in how things are made and what things can do, Hefti sets-up pseudo scientific experiments which challenge industrial fabricators and ultimately divert objects from their original state. This exhibition approaches his investigations from a specific tangent: discovering mistakes in industrial processes and pushing them to a limit where aesthetic transformations take place, where accidents are seen as productive forces. Consisting of large scale objects and photograms installed in Gallery 3 and the Central Space, Raphael Hefti runs at Camden Arts Centre until 18 March. www.camdenartscentre.org - Norman Cornish - The Early Years - The story of Norman Cornish’s prodigious career as an artist who converted his experience as a miner into compelling imagery has become justly famous. As the mining industry recedes into history though the real context of his life and art grow ever more elusive. At the time of his birth in 1919 the average death rate in British pits was an annual 1:3 per thousand miners. By the time he started work at the age of 14 technological advances had reduced that figure to 0.75 per thousand but that is to ignore the many accidents. Indeed the Spennymoor pit at which he started his working life, the Dean and Chapter Colliery, was notorious enough locally to be known as ‘The Butcher’s Shop’. For the next 33 years, Cornish recorded the life of the pit where his ‘marras’ risked their lives every day. He depicted them in the claustrophobic space of the seams or tending pit ponies but of course, his “narrow world” as the novelist Sid Chaplin admiringly called it included that network of customs and shared experiences that bind a community together. In his scenes of their ‘civilian’ life, miners are shown walking to work in the early dawn, the pit head gantry resembling another Calvary. As for his repertoire of pub interiors, they are, of course, bathed in an amber glow, the colour of brown ale, while the local fish van also looms large as a communal meeting point – for gossip as much as for food. From 14 February until 24 March. www.kingsplace.co.uk - The Sublime in Woolwich - In this exhibition the American artist Tina Mammoser will place paintings created in response to her experiences at the limits of ordinary vision in the context of the history of the notion of the 'sublime' (literally 'up to the limit') in Western painting. Stephen writes from the viewpoint that Tina's 'Sublime' is created from the external viewpoint - taking the interpretation of landscape and light from physical vision and using a Kantian approach where the mind interprets the visual signals and forms a rational interpretation. But the work becomes Sublime when the rational can't entirely relate to endless or overwhelming ideas of light or space. Tina in turn will reply to Stephen's historical perspective with her intention as an artist in capturing both a scientific nature of light and aiming for the sublime in landscape views. Exhibition opening days/times: 16-18 March 11am-5pm, 23-25 March 11am-5pm. www.noformat.co.uk
- Venetian Visions: the art of Canaletto, Tiepolo, Carlevarijs and their contemporaries 1700 – 1800 - The eighteenth century was possibly the last great period of Venetian art. It witnessed a wealth in artistic production from paintings, drawings and prints to porcelain, lace and glass. This display will draw from the V&A collections of prints, drawings, textiles, ceramics and glass to showcase Venetian arts during this age of stylistic splendour. Until 1 April. www.vam.ac.uk - Michael Raedecker - volume - Best known for his subtle and unsettling, enigmatic works combining muted tones of paint and embroidery, Raedecker’s paintings explore and push the boundaries of his medium. He goes beyond conventional methods of representing formal elements such as texture and perspective. Through his layering of thread, paint and small, yet aggressive punctures to his canvas, Raedecker imparts an unexpected physicality to his two-dimensional works. In his paintings, Raedecker depicts abstracted scenes of suburban architecture and everyday domestic life. However, instead of using a brush to paint his subject matter, he uses a needle to painstakingly delineate every scene with stitched threads. From 23 February until 5 April. www.hauserwirth.com - Yayoi Kusama - New Paintings - The paintings have been selected from a major series commenced during the past three years. Initially conceived by Kusama to comprise a hundred paintings, the series has, with characteristic dynamism, grown far in excess of that number. The result is a magnum opus, a vibrant flowering of an artist whose six-decade career has been a constantly evolving enquiry into the twin themes of cosmic infinity and personal obsession. The paintings are at once startlingly innovative and classically Kusama. Completed in a single session, each is a flatly painted monochrome field that abounds with imagery including eyes, faces in profile and other more indeterminate forms, often in pulsating combinations of colour. From the psychedelically primordial My Forsaken Love, in which biomorphs traverse a black-fringed molten-pink ground, to the strata-like composition of Standing on the Riverbank of My Hometown I Shed Tears, a canvas filled with sedimentary layers of cell-like dots, eyes and extravagantly decorated lashes, the paintings generate new motifs and arrangements of forms while continuing a lifelong preoccupation with the mysteries of the physical and metaphysical, the tangible and ineffable - the space where seeing and feeling intersect. From 9 February until 5 April. www.victoria-miro.com
- Shaped by War: Photographs by Don McCullin - This major new exhibition examines the life and work of one of Britain's most critically acclaimed photographers. Over 200 photographs, including a number previously not seen on public display; films; objects; magazines and personal memorabilia provide a unique opportunity to understand how Don McCullin’s life and work has been shaped by war and how his work has shaped awareness of modern conflict. Until 15 April. london.iwm.org.uk
- End Piece … - Ambika P3 is delighted to present a major solo exhibition by David Hall, the influential pioneer of video art, featuring a monumental new commission '1001 TV Sets (End Piece)' 1972-2012, as well as restaging two seminal early works. This t - Queen Elizabeth II by Cecil Beaton - To celebrate The Queen’s Diamond Jubilee, the V&A is holding an exhibition of portraits of Her Majesty by photographer Cecil Beaton (1904-1980). Presenting highlights of the V&A’s archive of Beaton’s royal photography, the exhibition will depict the Queen in her roles as princess, monarch and mother and include a number of photographs never before seen as well as Beaton’s diaries and letters. Romantic images of the teenage Princess Elizabeth and her mother and sister are followed by glittering and highly-staged photographs of the Queen in her Coronation robes. There are tender portraits of the Queen at home with her husband and young family, and later official portraits. The exhibition includes a number of rarely seen photographs, as well as film clips and Beaton's personal scrapbooks, and shows how the popular image of the monarchy changed dramatically over the course of the 20th century. From 8 February until 22 April. www.vam.ac.uk
- Turner Inspired: In the Light of Claude - Turner Inspired: In the Light of Claude is the most in-depth examination of Turner's experience of Claude's art to date. The exhibition includes oils, watercolours and sketchbooks and introduces visitors to the story of the Turner Bequest and its importance in the history of the National Gallery. The final room of the show exhibits archive material dedicated to this relationship. From 14 March until 5 June. www.nationalgallery.org.uk - Song Dong: Waste Not - For his first solo exhibition in a major UK public gallery, Chinese artist Song Dong recreates his monumental work, Waste Not, in The Curve. Comprising over 10,000 items collected by Song Dong’s mother over five decades, ranging from a section of the house to metal pots and plastic bowls to blankets, bottle caps, toothpaste tubes and toys, the installation is a personal meditation on family and the artist’s own childhood during the Cultural Revolution. The activity of saving and reusing things is in keeping with the Communist adage wu jin qu yong – ‘waste not’ – a prerequisite for survival during periods of social and political turmoil. From 15 February until 12 June. www.barbican.org.uk
- VOYAGES OF DISCOVERY: De Morgans and the Sea - - Aquarium - Immerse yourself in the wonderful underwater worlds of the new Aquarium. Journey through delicate environments and ecosystems from teeming British Pond Life, stunning and sensitive Rockpools, tropical Fijian Coral Reefs, to mysterious Mangrove Swamps and a breathtaking South American Rainforest display. Discover captivating creatures from across the world including jellyfish, seahorses and tropical monkey frogs amongst others. Amazing tank-viewing dens and interactive displays get you up close to these fantastic worlds. Permanent. www.horniman.ac.uk
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