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Exposiciones actuales: Alighiero Boetti - Alighiero E Boetti (1940–1994) was one of the most important and influential Italian artists of the twentieth century. He was a key member of the Arte Povera group of young Italian artists in the late 1960s which was working in radically new ways using simple materials. This will be the first solo show by an Arte Povera artist at Tate Modern. Boetti used industrial materials associated with Turin’s booming economy and later made works using postage stamps, biro pens, and magazine covers. His work engaged with the changing geopolitical situation of his time, much of it made on his travels to places such as Ethiopia and Guatemala and Afghanistan. Between 1971 and 1979 he set up a hotel in Kabul as an art project and created large colourful embroideries, the most famous of these were the Mappa, world maps in which each country features the design of its national flag. Highlights include works never seen in the UK such as the iconic Self-Portrait 1993, a life-size bronze cast of the artist hosing his head with a jet of water. Until 27 May.
Yayoi Kusama - The nine decades of Yayoi Kusama's life have taken her from rural Japan to the New York art scene to contemporary Tokyo, in a career in which she has continuously innovated and re-invented her style. Well-known for her repeating dot patterns, her art encompasses an astonishing variety of media, including painting, drawing, sculpture, film, performance and immersive installation. It ranges from works on paper featuring intense semi-abstract imagery, to soft sculpture known as "Accumulations", to her "Infinity Net" paintings, made up of carefully repeated arcs of paint built up into large patterns. Since 1977 Kusama has lived voluntarily in a psychiatric institution, and much of her work has been marked with obsessiveness and a desire to escape from psychological trauma. In an attempt to share her experiences, she creates installations that immerse the viewer in her obsessively charged vision of endless dots and nets or infinitely mirrored space. Until 5 June. Damien Hirst - Damien Hirst first came to public attention in London in 1988 when he conceived and curated Freeze, an exhibition in a disused warehouse which showed his work and that of his friends and fellow students at Goldsmiths College. In the nearly quarter of a century since that pivotal show, Hirst has become one of the most influential artists of his generation. This will be the first substantial survey of his work in a British institution and will bring together key works from over twenty years. The exhibition will include iconic sculptures from his Natural History series, including The Physical Impossibility of Death in the Mind of Someone Living 1991, in which he suspended a shark in formaldehyde. Also included will be vitrines such as A Thousand Years from 1990, medicine cabinets, pill cabinets and instrument cabinets in addition to seminal paintings made throughout his career using butterflies and flies as well as spots and spins. The two-part installation In andOut of Love, not shown in its entirety since its creation in 1991 and Pharmacy 1992 will be among the highlights of the exhibition. From 4 April until 9 September. Edvard Munch: The Modern Eye - Edvard Munch: The Modern Eye is a major exhibition devoted to a reassessment of the works of the Norwegian painter Edvard Munch (1863–1944). This exhibition proposes a dialogue between the artist’s pictorial work in the twentieth century and his interest in the most modern of representational forms: photography, film and the rebirth of stage production at that time. From 28 June until 14 October. International Modern Art - Four themed areas, featuring Landscape, Still-life, The Nude and History as well as rooms devoted to particular iconic works of art and artists.
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